Contemporary Art & Islamic Calligraphy

M.A. Bukhari

Bridging Islamic calligraphy with modern abstraction through impasto, cubism, and vibrant expressionism.

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Portfolio

Selected Works

M.A. Bukhari original seascape oil painting Whispers of the Tide showing stormy green sea waves and palette knife textures.
Seascapes

Whispers of the Tide

2026
M.A. Bukhari rust orange semi-abstract oil canvas painting Terracotta Horizon with thick palette knife block patterns.
Semi-Abstract

Terracotta Horizon

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Collection

Recent Works

M.A. Bukhari rust orange semi-abstract oil canvas painting Terracotta Horizon with thick palette knife block patterns.

Terracotta Horizon

M.A. Bukhari original Bismillah calligraphy art painting Veil of Grace featuring green and blue textured block patterns.

Veil of Grace: Bismillah

M.A. Bukhari blue Asma-ul-Husna canvas painting Cobalt Sanctuary with sapphire and turquoise mosaic impasto texture.

Cobalt Sanctuary (Asma-ul-Husna)

M.A. Bukhari textured Ism-e-Azam calligraphy art painting Sacred Monolith with deep teal and brown impasto background.

Sacred Monolith: Ism-e-Azam

M.A. Bukhari modern Arabic calligraphy canvas art Echoes of the Divine Light featuring thick multi-color impasto paint.

Echoes of the Divine Light

M.A. Bukhari original abstract floral oil canvas painting Crimson Symphony in Bloom with heavy impasto red and purple textures.

Crimson Symphony in Bloom

M.A. Bukhari original seascape oil painting Whispers of the Tide showing stormy green sea waves and palette knife textures.

Whispers of the Tide

The Method

Process & Intention

Each painting is a journey from spiritual contemplation to physical expression. Through layers of thick impasto paint and carefully composed calligraphic forms, the artwork emerges as a bridge between the divine and the tangible — a visual manifestation of Noor, the divine light.

01Concept

Every painting begins with spiritual contemplation — finding the intersection of tradition and expression.

02Composition

Laying out calligraphic forms, geometric structures, and color relationships on the canvas.

03Layering

Building up thick impasto layers, each adding depth — sometimes 30 to 40 layers of paint.

04Refinement

Final details, color balancing, and spiritual intention — ensuring the painting carries energy.

The Artist

M.A. Bukhari

Contemporary painter & calligrapher from Karachi, blending Islamic calligraphy with modern abstraction and impasto technique.

Full Biography

20+

Years Experience

200+

Paintings Created

50+

Exhibitions

12

Collections

Featured Interview

In Conversation with
M.A. Bukhari

Archi Times sat down with M.A. Bukhari to explore the ideas behind his paintings — the tension between tradition and modernity, the spiritual dimension of impasto, and what it means to paint in a city like Karachi.

Published by

Archi Times Online

Read Full Interview

“I want you to feel the painting before you understand it.”

M.A. Bukhari

On his artistic philosophy

My work is a bridge — between the spiritual and the material, the ancient and the contemporary, the word and the image.

On Islamic calligraphy

Calligraphy is not decoration to me. It is the architecture of the soul, each letter a weight-bearing column of meaning.

On impasto technique

The thickness of the paint is not a style choice — it is an insistence. I want you to feel the painting before you understand it.

Commissions & Inquiries

Let's Create Together

Interested in a commission, exhibition, or acquiring an original painting? Reach out and let's discuss your vision.